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Reading: Greta Gerwig Offers Nuanced Response to Jo Koy’s ‘Barbie’ Joke Controversy
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Distinct Post > Entertainment > Greta Gerwig Offers Nuanced Response to Jo Koy’s ‘Barbie’ Joke Controversy
Entertainment

Greta Gerwig Offers Nuanced Response to Jo Koy’s ‘Barbie’ Joke Controversy

Henry Ortiz Published January 11, 2024
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Greta Gerwig, renowned director, recently shared her insights on Jo Koy’s humorous jab at Barbie during the 2024 Golden Globe Awards. Koy, a 52-year-old comedian, had playfully contrasted the complexities of “Oppenheimer” with the iconic simplicity of the Barbie doll, sparking both laughter and debate.

During his monologue on the Barbenheimer trend, Jo Koy humorously juxtaposed “Oppenheimer,” a movie based on a Pulitzer Prize-winning book about the Manhattan Project, with Barbie, the plastic doll known for her distinctive physical features. Koy playfully highlighted Barbie’s transformation from flawless beauty to more realistic attributes, a move that some netizens deemed as perpetuating stereotypes and labeling as sexist.

Greta Gerwig is weighing in on Jo Koy #Barbie joke at the 2024 #GoldenGlobes which many called sexist #THRNews pic.twitter.com/fZThRmjmnL

— The Hollywood Reporter (@THR) January 11, 2024

Greta Gerwig, 40-year-old director and creative force behind impactful films, weighed in on the controversy during a recent appearance on BBC Radio 4’s Today. Acknowledging Koy’s humorous take, Gerwig remarked, “Well, he’s not wrong. She’s the first doll that was mass-produced with breasts, so he was right on.” Greta recognized the uniqueness of creating a movie centered around a plastic doll, emphasizing the unlikely nature of the project itself.

Offering a nuanced perspective, Gerwig delved into the creative process behind the Barbie-inspired movie. Collaborating with her husband and screenwriter, Noah Baumbach, Greta reflected on the inherent lack of character and narrative in Barbie’s construction. She noted, “Barbie, by her very construction, has no character, no story. She’s there to be projected upon.”

Greta Gerwig’s response adds depth to the discussion, acknowledging both the humor in Jo Koy’s joke and the inherent characteristics of Barbie that have fueled conversations over the years. In navigating the complexities of creating a movie centered around a plastic icon, Gerwig’s insights offer a thought-provoking perspective on the intersection of humor, cultural perceptions, and the unexpected challenges of cinematic storytelling.

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